Q. When does the ‘modern’ begin in Vietnamese history? A Historiography Essay (Alexander Woodside, George Dutton, Benedict Anderson, David Marr, Charles Keith)

Below is a historiographical paper that I wrote for Professor Peter Zinoman’s seminar on Southeast Asian Historiography in Fall 2015.

Modernity and the Modern Era in Histories of Vietnam: A Historiography Essay

 

Introduction

When does the ‘modern era’ begin in Vietnamese history? How does it compare to other eras in Vietnamese history? What are the characteristics of Vietnamese modernity? The question of ‘the modern’ consumes debates in colonial and post-colonial studies, and is often entrenched within debates regarding the nation state and Western imperialism. While the question of modernity and the modern era has been intensely debated in East Asia and South Asia, critical studies of modernity still remain limited in Southeast Asia and Vietnam.[1] In this essay, I will explore the question of the modern era in Vietnamese history and situate this within Dipesh Charkabarty’s post-colonial critiques of studies on modernity. I demonstrate that Vietnam scholars approach the topic of the modern era and modernity in three different ways: first, the modern era is characterized by political integration, centralization, and bureaucratic systems of rule; second, the modern era is characterized by ‘modern’ forms of bureaucratic governance, technologies, and consumerism often ushered in by Western colonial influences; or third, the modern era is tied to the modern nation-state. To frame this another way, Vietnam scholars have located the beginning of the modern era within institutions of centralization and bureaucracy from the fifteenth century to nineteenth century, in colonial capitalism and Western ideologies of the 1886 to 1945 French colonial period, or in the debates regarding the Vietnamese modern nation-state and nationalism in the twentieth century.

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Poster at Berkeley DH Faire 2015 on Henri Oger

This past spring our team of awesome dh-ers at Berkeley put together the 2015 Berkeley DH Faire. Here is the quick poster my collaborator Amy Zou (Cognitive Science & Linguistics) put together.

dhfaire_poster

My Berkeley Digital Humanities Working Group (BDHWG) Co-convener and friend, Camille Villa, wrote this great recap of the event by  on the DH@Berkeley blog:

DH Community Gathers for 3rd Berkeley Digital Humanities Faire

Intro to the Henri Oger Project: ‘On Reading a Peripheral Text’

Photo May 14, 11 11 10 AM

It’s been nearly a year since I’ve stumbled upon the fascinating text Technique du Peuple Annamite (Mechanics and Crafts of the Vietnamese People) (Published 1908-1910).  I had hoped to come to more of a conclusive analysis of this text before posting about this project. However like most intellectual projects, more questions and directions for analyses have opened up rather than converged into a neat finality. (See poster of tentative DH research presented at 2015 Berkeley DH Faire)

Thus, I wanted to at least share my initial observations and inquiry into the text. Below is a brief introduction to the text itself and excerpts (Methods & History of the Book) from my essay “On Examining a Peripheral Text: Technique du Peuple Annamite”, which I hope to finish editing and publish here. Additionally, I created a timeline of the life of the text and author  below:

Screen Shot 2015-03-22 at 5.09.08 PM


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